Most of us were never taught how to choose a partner. We were taught how to fall.
So we learned to trust the feeling. The racing heart. The not eating. The checking the phone. The nights that were so high they made everything else look grey. We called that love, because it was the biggest feeling in the room, and nothing had ever taught us to call it anything else.
I chased that feeling for most of my adult life. I ended relationships that had every reason to work because they felt flat, and I stayed years too long in the ones that hurt because the highs were so high I couldn’t imagine anything better existing. The whole time I thought I was being romantic. I thought wanting a love that big was proof I believed in it more than everybody else did.
Maybe some of that sounds familiar. Most people I talk to about this have their own version of it, and usually they can’t quite name it either. They just know the ending keeps arriving and it keeps looking the same.
I wrote all of mine down. Fifteen years of journals and poems, most of them at two in the morning when I had nowhere else to put it. And when I sat down to write Crazy Love, I read every page of it back in order and finally saw the thing I could never see from inside it. What I’d been navigating by wasn’t love. It was activation. My body learned it early, before I had any say in the matter, and it had been pointing me at the same person in a different body ever since.
I don’t think that’s rare. I think a lot of us are running on something we picked up before we were old enough to know it was happening, and then spending our adult lives quietly wondering why the same thing keeps happening.
Seeing it didn’t fix anything on its own. But it gave me something to work with, and I started making different choices about who I said yes to and what I was willing to sit with when the intensity wasn’t there.
Two weeks after I finished writing the book, I met my girlfriend. We’ve been together almost two years now. It’s the most secure relationship I’ve ever been in and it’s a lot quieter than anything I chased in my twenties. For a while the quiet scared me, honestly, because I’d spent so long reading calm as absence.
I’m not telling you that so you’ll expect the same timeline. That would be a strange thing to promise and I’d be lying if I did. Your pattern got set somewhere else, by something else, and it’s pointing you somewhere I couldn’t guess at from here.
But it can move. That’s the part I want you to have. And it can’t move while you can’t see it.
That’s what the 27th is for.
With love,
Adam.